Making 'Side Streets'

min read

2026-08-02 Back to posts

Dimly lit city street at night

How a soulful sample, dusty drums, and late-night production turned into one of my favorite beats.

Table of Contents

I made this using FL Studio!

After finishing Villains, I wanted to go in the opposite direction. Instead of making something weird and bouncy, I wanted something that felt reflective.

I’ve always loved the atmosphere on old boom bap records. Producers like J Dilla, DJ Premier, and Pete Rock had a way of making simple loops feel alive. I wasn’t trying to copy any one producer, but I definitely had that sound in the back of my mind.

The Drums

I took a bit of time doing the hi-hats on this so there is a solid swing to it.

Rather than making the drums loud or aggressive, I wanted them to sit inside the sample and keep everything moving. I spent a lot of time nudging individual hits around until the groove felt natural and not too repetitive.

Building the Track

I tried to leave as much space as possible.

It’s always tempting to keep adding instruments because modern software gives you unlimited options. Instead, I added different chops, small percussion changes, and little moments where instruments quietly enter or disappear. These details keep the beat moving without drawing too much attention.

I wanted the whole thing to feel like a soundtrack to a quiet drive through streets that are usually busy during the day but completely empty at night.

Looking Forward

I’m finding that I enjoy making boom bap much more than chasing whatever sound happens to be popular. There’s something satisfying about building a beat that rewards you for listening closely.

Listen to Side Streets →


Side Streets is available to stream for free on YouTube or the Music page.

Interested in licensing or collaboration? Email me at nickstambaugh@proton.me

Photo Credit

Notes from Nick

Thanks for reading! This post was written by Nick Stambaugh, not AI.

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